• An Interview with Angela Brennecke

    An Interview with Angela Brennecke

    Interview by Karolina Jawad

    Angela Brennecke is professor of „Audio and Interactive Media Technologies“ at the Film University Babelsberg KONRAD WOLF as well as a passionate musician and illustrator. She graduated in Computational Visualistics in 2004 and received a doctoral degree in Computer Graphics in 2009 from the University of Rostock, Germany. Due to her lifelong passion for music, thereafter she worked as software developer and technical project manager for „Native Instruments“ from 2009 to 2014. In 2015, Angela took a break from business to pursue personal artistic goals as well as to set new goals in her professional career. The following year, she joined the „Innovation Projects“ team of the German public broadcaster „Rundfunk Berlin-Brandenburg“ and participated in several ICT proposals for H2020 as a project engineer before becoming professor at Film University in 2017. Her research interests focus on audio-visual mood representation as well as interactions with sound through visuals. »Read more

  • An Interview with Tami Gadir

    An Interview with Tami Gadir

    Interview by Karolina Jawad

    Tami Gadir is commencing a new role as Lecturer in Music Industry at RMIT University in Melbourne Australia. Gadir has completed a postdoctoral research fellowship at the University of Oslo and holds a PhD from the University of Edinburgh supervised by Simon Frith. Gadir’s research addresses the various mechanisms that promote or hinder participation in musical cultures, through the sounds, technologies, and cultures of contemporary, electronically-produced dance music. Such themes will feature in a forthcoming book with Bloomsbury Academic press, based on eight years of participant observation and interviews with DJs, producers, and clubbers in international electronic dance music communities. The book provides an expressly critical feminist-intersectional, anti-capitalist appraisal of dance music cultures as a counterpoint to the dominant utopian, celebratory interpretations of underground scenes by scholars, media, and fans. Gadir is a co-founding committee member of GeMus: Gender and Music Network and an active DJ. »Read more

  • An Interview with Tone Åse

    An Interview with Tone Åse

    Interview by Karolina Jawad

    Working with electronic voice-sound and acoustic voice sound, Tone Åse interacts with her fellow musicians both as a singer and as a soundmaker, stretching the instrumental capabilities of the voice and the live electronics in the improvised interplay. Her work is very much developed through her collaborations, with her trio BOL, her duo Voxpheria, and a range of other projects. Her experimental work with the vocal ensemble started as a founding member of Kvitretten (1991-2001) and continued as a member of, and for 2006-2011 artistic leader of, the improvising vocal ensemble Trondheim Voices. Her work with voice and live electronics has thus been the subject for her doctoral work within the Norwegian Artistic Research Programme (2008-2012). Åse has released several CD’s with her groups and also composed music for film, theatre, various ensembles and projects. Åse is from 2012 Associate professor at Department of Music, NTNU. »Read more

  • An Interview with Alexandra Murray-Leslie

    An Interview with Alexandra Murray-Leslie

    Interview by Karolina Jawad

    Dr. Alexandra Murray-Leslie is artistic researcher & co-founder of art band Chicks on Speed. Her research focuses on iterative prototyping of semantic foot devices for audiovisual theatrical expression in water, air and on land. She is adjunct faculty at The University of Art and Design, Linz. Current projects include being invited artistic research fellow, ARTEC program, Norwegian University of Science and Technology (NTNU) 2018. »Read more

  • An Interview with Miranda Moen

    An Interview with Miranda Moen

    Interview by Karolina Jawad

    Miranda Moen is a master student of Equality and Diversity at the NTNU institute of interdisciplinary culture studies. Her thesis studies newer discourses of inclusion and diversity in the arts sector, and how the understanding of disability in the Norwegian society coincide with these discourses. Starting her music business career 2011 in Berlin, her professional interests soon developed into equality activism in music. From 2015-2018 she was a project manager at Ladyfest Oslo and is now a board member in the Balansekunst association, works at AKKS Trondheim and with the KOSO collective. Moen is educated in aesthetics (UiB) and arts management (Oslomet). »Read more